Myself Shaikh Parvez Abdullah, belonging to Kolkata, India. Living a simple lifestyle with a huge unfulfilled mental aspirations. Being an active part of Mother Nature, can\'t able to stop myself to feel it. It has made my senses eager to execute a futile attempt to reproduce my feelings by imitating the Beauty, Wrath, Sorrow, Mirth and thousands of utmost emotions through Photography and Painting.
Myna Kakar represents the following artists through the Verandah art gallery, Kolkata, India. If you are an artist looking to expand your representation, please send an inmail to Myna Kakar. To view a tabular list of represented artists, click here.
Myna Kakar represents the following artists through the Verandah art gallery, Kolkata, India. If you are an artist looking to expand your representation, please send an inmail to Myna Kakar. To view a tabular list of represented artists, click here.
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In The Nature by Shaikh Parvez Abdullah
New artwork uploaded....Sometimes we can communicate with the tranquil Nature without uttering a single word.
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INVINCIBLE by Shaikh Parvez Abdullah
48 in x 36 in
New artwork uploaded....The Painting says itself.
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A Rural Winter Morning by Shaikh Parvez Abdullah
New artwork uploaded....This photograph has been taken in a remote village in West Bengal, India, where most of the villagers find their means of livelihood from the nearest sea shore i.e. fishing, jungle wood etc. In that morning this middle aged lady was cooking meals for their family members and engrossed in a deep thought to the uncertainty of the next meal.
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Radha Krishna by Shaikh Parvez Abdullah
48 in x 36 in
New artwork uploaded....In Hinduism, Lord Krishna is depicted as the god of love and being the charmer that he was, he won the heart of any women of any age group that came in his contact. The tales of Radha Krishna are so very common and appealing that they surpass all other tales. Its said that Radha and Krishna never got married, but the bond they shared was so strong that they were considered one soul born in two bodies.
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