The Golden Temple, Amritsar  (2014)

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An Illuminated Indian Street in Monsoons by Tejinder Kanda (2019)
28 in x 50 in, Acrylic on Canvas

...The painting depicts a lively urban street scene during a rain shower, filled with pedestrians holding colorful umbrellas. The composition is bustling, with figures moving amid bicycles and market stalls. The background features buildings illuminated by warm, glowing lights, creating a contrast against the cool blues and purples of the rainy atmosphere. The wet pavement reflects the vibrant colors, enhancing the sense of movement and life. Brush strokes are thick and expressive, adding texture that evokes the feeling of rain-soaked streets. Overall, the piece captures the essence of city life in a dynamic, atmospheric setting.

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Ethereal Benares at Night by Tejinder Kanda (2015)
28 in x 48 in, Acrylic on Canvas

...The composition features a bustling riverside scene, where numerous figures gather under colorful umbrellas. The water reflects the vibrant hues of the market scene, with rich oranges, deep blues, and hints of green. In the background, trees with bright foliage add depth, while the sky transitions into a warm, muted tone that evokes dusk. The texture of the painting is prominent, with thick brush strokes that enhance the sense of movement and activity. Light plays a crucial role, illuminating the figures and creating a shimmering effect on the water’s surface.

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Vibrations of Divinity by Tejinder Kanda (2016)
28 in x 48 in, Acrylic on Canvas

...The painting features a lively riverside scene with a multitude of figures engaged in various activities. The foreground showcases a wide river, reflecting a kaleidoscope of colors from the sky and surroundings. On the left, a series of boats line the water's edge, while the right side reveals a bustling marketplace with vibrant umbrellas in shades of red, pink, and purple. The background is dominated by colorful buildings and temples, under a sky filled with swirling blues and soft whites, suggesting a late afternoon light. The texture is rich, with thick, expressive brushstrokes adding depth and movement to the scene.

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Harmandir Sahib by Tejinder Kanda (2016)
40 in x 30 in, Acrylic on Canvas

...The painting features the Golden Temple, prominently situated in the foreground, reflecting its brilliant golden facade onto the shimmering water below. Surrounding the temple are white architectural structures, creating a harmonious contrast. The sky above transitions from deep purples to soft blues, suggesting twilight. Bold brushstrokes convey the texture of the scene, with rippling water capturing the temple's reflection. The overall composition is balanced, drawing the eye towards the temple while the colors evoke warmth and serenity.

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The Golden Temple, Amritsar by Tejinder Kanda (2014)
40 in x 30 in, Acrylic on Canvas

...The painting depicts a grand golden temple, prominently centered, reflecting in the calm waters below. Surrounding the temple are light-colored structures that create a sense of depth. Above, a dramatic sky transitions from orange to purple, suggesting sunset. The water's surface mirrors these colors, adding movement and vibrancy. Figures are visible along the edges, engaged in quiet contemplation. The texture of the brushstrokes is lively, emphasizing the dynamic nature of the scene while creating a sense of warmth and spirituality.

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The Beauty of Benares by Tejinder Kanda (2014)
48 in x 29 in, Acrylic on Canvas

...The painting depicts a bustling riverside scene under a bright blue sky. The foreground features a series of boats gently bobbing on the water, their dark hulls contrasting with the vibrant colors surrounding them. People are scattered along the banks, some under colorful umbrellas, creating a lively mosaic of reds, oranges, and yellows. The water reflects these hues, enhancing the sense of movement. In the background, stylized buildings with ornate architecture rise against the sky, while trees in pastel shades add depth to the composition. The texture is rich, with visible brushstrokes adding dynamism.

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